◦ SOCIAL MEDIA: FRAGANCIA SOUND STUDIOS [ALL] ◦ ◦ CONTACT TO MASTER YOUR TRACKS ◦
Fragancia Sound Studio delivers exceptional audio engineering and mastering, giving every project a polished, professional sound. Equipped with high-end analog gear, the studio adds warmth, depth, and character that help recordings stand out.
FRAGANCIA STUDIOS CREDITS: Un Verano Sin Ti” By “Bad Bunny” (Mastering Engineer) 2022-Participating Latin Grammy (Winner) – Best Urban Music Album ‘Un Verano Sin Ti” by “Bad Bunny” (Mastering Engineer) 2022-Participating Latin Grammy (Winner) – Best Urban Music Album ‘Un Verano Sin Ti” by “Bad Bunny” (Mastering Engineer) 2021-Latin Grammy (Nominee) – Best Urban Fusion/ Performance “El Amor Es Una Moda” by “Don Omar, Alcover & Juan Magan” (Mastering Engineer) 2021-Telly Television Gold Award (Winner) TelevisaUnivision (Sound Designer) 2020-Billboard Music Awards (Nominee) – Top Latin Song “Callaita” by “Bad Bunny” (Mastering Engineer) 2020-Telly Television Bronze Award (Winner) TelevisaUnivision (Sound Designer) 2006-Latin Billboard Award (Winner) – Tropical Airplay Song Of The Year “Lamento Boliviano” by Amarfis y La Banda De Atakke (Mastering Engineer)
SOCIAL MEDIA
Fragancia is a New York City native Production & Mastering Engineer. He studied music engineering at the prestigious Center For The Media Arts School in NYC during the early 90s. Thereafter, he pursued a career as a club DJ where he became a prominent figure in the tri-state area club scene. Due to his DJ exposure, Fragancia became intertwined with the studio recording scene, where he established himself as a well known recording and mixing engineer and opened his first private recording studio. After years of success in the recording and mixing field, Fragancia expanded into the art of audio mastering. Throughout the years, he would become one of the most solicited mastering engineers in the Latin music industry, which led to his expansion to the city of Miami. With more than two decades of experience, Fragancia has crafted the expertise in the analogue and digital realms, while working for labels and indie artists alike.
EQUIPTMENT CPU: Apple Mac Studio M1 Max [10 Core/32 GB Ram] Apple Mac Pro (Cylinder) [2.7 Ghz/12 Core Intel Xeon E5/64 GB Ram] Compressors / Limiters: Bettermaker Mastering Limiter 2.0 Manley Mastering Tube Variable MU Compressor Limiter | Rupert Neve Portico II Master Buss Processor Converters: Apogee Symphony I/O Mk II – 16×16 | Prism Sound Titan USB Interface Equalizers: Manley Massive Passive Vacuum Tube 4 Band Equalizer | Maselec MEA-2 Mastering Equalizer Monitor Control System: Dangerous Music Monitor ST | Grace Design m905 Monitor Control System Digital Editors /Software: Izotope RX 10 Standard, Logic Pro, Studio One Professional, Pro Tools Ultimate Mastering Clock: Antelope Isochrone OCX Audio Master Clock Mastering Console: Dangerous Music Master Mastering Transfer Console Monitoring: Sennheiser HD-600 Headphones Tyler Acoustics D1x (Custom Speakers) Yamaha NS-10M Plugins: Acoustica, Arturia, Audio Ease, DMG Audio, Dolby Laboratories, Eventide, FabFilter, IK Multimedia, Izotope, Kiive Audio, Kit Plugins, LiquidSonics, Mastering The Mix, Metro Halo, NUGEN Audio, Plugin Alliance, Process Audio, Pulsar Audio, Relab Development, Schwabe Digital, Slate Digital, Softube, Sonnox, SoundToys, SSL, Tokyo Dawn labs, TC Electronic, Universal Audio, Waves Audio
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